Monday, October 13, 2008

The Promise Ring


There is a great dilemma that nearly every band must face when their youth begins to fade. They can adjust the sound and subject matter of their music, at the risk of alienating their fans, or they can simply give up. Sometimes, they do both at once, as in the case of the Promise Ring. In 1995, Cap'n Jazz guitarist/vocalist Davey von Bohlen started the band as a side project with a few friends from his hometown of Milwaukee, WI. When Cap'n Jazz called it quits that same year, the Promise Ring became his primary focus. They released their first album, 30 Degrees Everywhere, in 1996 on Jade Tree Records. This record was severely underproduced, and although the music was certainly catchy, von Bohlen's vocals were nearly inaudible.

After a year of touring, the band entered the studio with producer/Jawbox singer J. Robbins, who was the premier post-hardcore producer at the time. The result was Nothing Feels Good, a flawless integration of indie rock and pop music. With von Bohlen's vocals mixed properly, audiences could finally hear his clever wordplay delivered through an endearing lisp. Despite the critical praise that the album received, the Promise Ring were the first band that was truly tormented by the term "emo." They were constantly referred to as the posterboys for the genre, even though they denied their affiliation at every press opportunity. After several EP's that expanded their sound a bit, they went back into the studio with Robbins to record Very Emergency in 1999.

Very Emergency found the Promise Ring leaving their indie/emo sound in the dust, focusing completely on the pop aspect of their music. In most cases, this would devastate the fanbase for an indie band, but the record was so upbeat and exuberant that it not only maintained current fans, but increased their commercial popularity exponentially. The band toured for 3 years on this record, and eventually released their final album, Wood/Water in 2002. It was clear at this point, with the band well into their 30's, that they were simply too old to write the joyous teenage anthems they once did. The record ended up sounding like a completely different band. The music had slowed down significantly, with the band attempting to introduce more dynamic elements, most of which were completely out of place, i.e. full church choir. It seemed that after this album, neither the band nor their fans were content with this new, "mature" identity.

The Promise Ring broke up in 2002 after the Wood/Water tour. Bassist Scott Schoenbeck began playing with Dashboard Confessional, the outfit where emo musicians go to die. Von Bohlen and drummer Dan Didier formed a new band with ex-Dismemberment Plan bassist Eric Axelson. They started out calling themselves English, but later changed their name to Maritime. Thankfully, their music sounds nothing like the latter days of the Promise Ring, but more like what one would have expected them to release off of the heels of Very Emergency. The Promise Ring played one reunion show in 2005 for the Flower 15 Festival at the Metro in Chicago. Just last month, rumors began circulating that they have been invited to play a forthcoming All Tomorrow's Parties festival in Milwaukee, curated by Compound Red guitarist Jim Minor.

Check out the video for "Emergency, Emergency" from Very Emergency here:

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